The Return
A film by Uberto Pasolini
w/ Ralph Fiennes, Juliette Binoche, Charlie Plummer
A film by Uberto Pasolini
w/ Ralph Fiennes, Juliette Binoche, Charlie Plummer
Rated R
1hr 56min
After 20 years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king finds much has changed since he left to fight in the Trojan War. His beloved wife, Penelope, is a prisoner in her own home and hounded to choose a new husband. Their son faces death at the hands of suitors who see him as an obstacle in their pursuit of Penelope and the kingdom. Odysseus is no longer the mighty warrior his people remember, but he must face his past to save his family.
"Reminiscent of another Pasolini, Pier Paolo, in its minimalist take on a classic story, the film relies mainly on the elemental power of Fiennes and Binoche, both suitably haunting as the long-separated lovers who have lapsed into emotional despair."
Frank Scheck
Hollywood Reporter
"There’s an inherent and sweeping tragedy to “The Return” that makes Pasolini’s film feel truly epic, namely in the ways the visual language of the film mourns the bloodshed that would otherwise thrill in a picture like this."
Zachary Lee
RogerEbert.com
Thu Nov 21
Tickets On Sale Soon
w/ Ralph Fiennes, Juliette Binoche, Charlie Plummer
Rated R
1hr 56min
After 20 years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king finds much has changed since he left to fight in the Trojan War. His beloved wife, Penelope, is a prisoner in her own home and hounded to choose a new husband. Their son faces death at the hands of suitors who see him as an obstacle in their pursuit of Penelope and the kingdom. Odysseus is no longer the mighty warrior his people remember, but he must face his past to save his family.
"Reminiscent of another Pasolini, Pier Paolo, in its minimalist take on a classic story, the film relies mainly on the elemental power of Fiennes and Binoche, both suitably haunting as the long-separated lovers who have lapsed into emotional despair."
Frank Scheck
Hollywood Reporter
"There’s an inherent and sweeping tragedy to “The Return” that makes Pasolini’s film feel truly epic, namely in the ways the visual language of the film mourns the bloodshed that would otherwise thrill in a picture like this."
Zachary Lee
RogerEbert.com
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