Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

Veering confidently between pulpy and profound, this ambitious, if occasionally uneven, meditation on art, appropriation, betrayal and redemption never sacrifices what’s on its mind for its primary aim, which is to shock and enthrall.
Ann Hornaday
Washington Post

The movie’s alive, and the actors seize the day, from Mosaku’s grave and beautifully modulated Annie to Steinfeld’s note-perfect embodiment of a femme fatale who’s fatale in unusual ways.
Michael Phillips
Chicago Tribune