28 Years Later: The Bone Temple
A film by Nia DaCosta
w/ Jack O'Connell, Ralph Fiennes, Emma Laird

Rated R
1hr 49min


Expanding upon the world created by Danny Boyle and Alex Garland in 28 Years Later -- but turning that world on its head -- Nia DaCosta directs 28 Years Later: The Bone Temple. In a continuation of the epic story, Dr. Kelson (Ralph Fiennes) finds himself in a shocking new relationship -- with consequences that could change the world as they know it -- and Spike's (Alfie Williams) encounter with Jimmy Crystal (Jack O'Connell) becomes a nightmare he can't escape. In the world of The Bone Temple, the infected are no longer the greatest threat to survival -- the inhumanity of the survivors can be stranger and more terrifying.

"The Bone Temple" is a gripping twist on a genre that might have seemed to run its course during the umpteenth season of "The Walking Dead."... Like its predecessor, "The Bone Temple" makes few concessions to Hollywood tentpole predictability.
Cary Darling
Houston Chronicle

Closed caption and hearing devices are available upon request.
Tue Feb 3
11:20a
12:20p



28 Years Later: The Bone Temple A film by Nia DaCosta
w/ Jack O'Connell, Ralph Fiennes, Emma Laird

Rated R
1hr 49min


Expanding upon the world created by Danny Boyle and Alex Garland in 28 Years Later -- but turning that world on its head -- Nia DaCosta directs 28 Years Later: The Bone Temple. In a continuation of the epic story, Dr. Kelson (Ralph Fiennes) finds himself in a shocking new relationship -- with consequences that could change the world as they know it -- and Spike's (Alfie Williams) encounter with Jimmy Crystal (Jack O'Connell) becomes a nightmare he can't escape. In the world of The Bone Temple, the infected are no longer the greatest threat to survival -- the inhumanity of the survivors can be stranger and more terrifying.

"The Bone Temple" is a gripping twist on a genre that might have seemed to run its course during the umpteenth season of "The Walking Dead."... Like its predecessor, "The Bone Temple" makes few concessions to Hollywood tentpole predictability.
Cary Darling
Houston Chronicle
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