In secret conversations on the rooftops of Tel Aviv at night, the systems behind Israel's calculated mass killing of Palestinian civilians in Gaza are revealed by the people who designed and operated them.
The literal darkness in which sources speak in “NAZA” turns the screen into a mirror of subjectivity, putting viewers face to face with their motives, their responsibilities, their identities.
Richard Brody
The New Yorker
In secret conversations on the rooftops of Tel Aviv at night, the systems behind Israel's calculated mass killing of Palestinian civilians in Gaza are revealed by the people who designed and operated them.
The literal darkness in which sources speak in “NAZA” turns the screen into a mirror of subjectivity, putting viewers face to face with their motives, their responsibilities, their identities.
Richard Brody
The New Yorker